Bill Nasson: Sached Personal Fragment
I turned to SACHED completely by chance, prompted by a small notice in the Cape Times listing alternative correspondence study and bursary opportunities through the University of London. It offered a kind of migration from South Africa, or at least an exodus of your mind.
After matriculating from Livingstone High School in 1970,
I tried to enrol at the University of Cape Town in the following year, having a long shot at either
Classics or Business Science. Having no interest whatsoever in Homer and the
Odyssey and being barely numerate, I was hopelessly unsuited to both. But, as
these were not offered by the University of the Western Cape, it was a tactical
means of avoiding having to study at what was then called, derisively,
apartheid’s ‘bush college’, or just ‘Bush’. Pulling it off required not just
acceptance by UCT but, no less – if not more – crucially, the securing of a
discretionary government study permit to enable an untermensch to enroll there.
When that approval did not come, I turned to SACHED completely by chance,
prompted by a small notice in the Cape Times listing alternative correspondence
study and bursary opportunities through the University of London. It offered a
kind of migration from South Africa, or at least an exodus of your mind. I was
fortunate enough to have had the benefit of a post-school educational fix from
SACHED. An oxygen tent of open learning, egalitarian fraternity and sociability
under the devoted and kindly stewardship of Lindy Wilson, it was one of the
most encouraging and most genial educational environments I’ve ever
experienced.
Along with a tiny group of fellow-students in the early 1970s I had the good
fortune to benefit from the provision of individual tutorial guidance from a
mostly inspirational and fairly eclectic band of SACHED tutors, including
local UCT academics, high school teachers, visiting scholars and others involved
in educational fields like publishing. As all of the tutoring took place not in the
SACHED offices in the Christian Institute in Mowbray but in their private homes,
you were very quickly no longer in awe of your tutors, getting to know them on
first-name names, sometimes encountering their friends, often drinking their tea
and coffee and even wine, and occasionally sharing meals. SACHED boosted the
process of growing up. And tribute should be paid to those refreshing tutors who
made up so free and easy a magic circle – Sally Carpenter, Jean Bleach, Tessa
Fairbairn, Cathy Salomon, Peter Wickins, Wallace Mills, Doris Lauel, Ulrich
Klingmann, and John van der Westhuizen.
Under their tutoring eye I spent 1971-73 doing Advanced Level (A-Level)
English and History, and O-level German for the University of London’s Overseas
General Certificate of Education (GCSE). That carried the further possibility of a
post-SACHED alternative to continuing higher education beyond apartheid South
Africa. If your GCE performance was up to the mark, you stood a chance of
gaining a Southern African scholarship for undergraduate degree study at one of
several British universities, including Keele, Hull and Durham. That possibility
spurred one on to try your hardest academically as a SACHED student.
And so it was that I ended up having weekly history tutorials on late-
eighteenth and early nineteenth-century Britain (Charles James Fox, the East
India Company, rotten boroughs, the 1832 Reform Bill, and other enchantments)
in a flat in Gardens, Cape Town. One of its two warmly welcoming and hugely
likeable Canadian occupants was my SACHED tutor, an historian from St Mary’s
University in Nova Scotia called Wallace G. Mills or, as he became known to me,
Wally Mills.
Wally was in South Africa to research the history of African Christianity for a
doctoral dissertation under the supervision of Leonard Thompson, then a
professor of African history at the University of California Los Angeles. The other
inhabitant was Wally’s spouse, Margaret Sparling Mills, a poet, who hung around
during those tutorial sessions as a nosy listener.
Or, to be more exact, Margaret lounged about, settled on a sofa across the room
from the window table at which Wally was wading me through such riveting
topics as free trade and Catholic emancipation. From there, she would often look
up from whatever she was reading to chip in with fascinating and mischievously
distracting observations or suggestions. Invariably literary, they certainly spiced
up those weekly Friday supervisions. How could they not have? What was the
Fox-North coalition government of 1783 when Margaret Mills was quietly being
a whizz on Byron and Shelley, or on eighteenth-century English novelists like
Fielding or Sterne?
She was also a granary of ‘Canadiana’ knowledge. Both musical and literary,
what those cross-currents carried included the haunting early 1960s and 1970s
poetry collections of Margaret Atwood, including The Journals of Susanna Moodie
(1970), visionary verse based on the elemental life experiences of an English
emigrant in the primitive backwoods of Ontario in the first half of the nineteenth
century. Mrs Moodie’s Roughing it in the Bush (1852), a classic account of
pioneer life in the Canadian wilderness, was my first encounter with a personal
memoir which documented a historical period, if in a gloomy and rambling way.
I still wonder, to this day, whether Margaret Mills was intentionally ironic in
recommending something titled, Roughing it in the Bush.
Then, one Friday, Margaret did not put in her customary tutorial appearance.
That week became the next, and the next, and months passed in which she seemed to have vanished.
There was no explanation of her sudden absence, and I was far too polite back then to have asked Wally.
Just once, behind a door which was slightly ajar, I glimpsed her legs,
clad in dark blue tights and under a familiar floral skirt, stretched out on a bed.
The mysteriousness of her withdrawal and the silence over it left me baffled –
it was a puzzle which accompanied the remainder of those history tutorials in the Mills flat.
Perhaps, as I only came to realise, dimly, and many years later,
they amounted to much more than an introduction to the East India Bill of the 1780s.
They were also a sideways peep into the complex psychological and emotional circumstances in which people find ourselves.
Later back then, when the time came for them to return to Nova Scotia in 1972,
Margaret was suddenly there again, Lazarus-like, to say farewell. The three of us
went on a drive around the Cape peninsula and had a picnic in Kirstenbosch
botanical gardens. We talked of SACHED people, and of how much it felt like a
liberated zone. Needless to say, the unfathomable withdrawal remained unmentionable.
Two years later, I received, out of the blue, a slim volume of her latest poems,
inscribed to me, simply, as ‘a daffodil’. While it was no surprise to find ‘Table
Bay’, ‘A Criminal Offence’, ‘Cape Agulhas’, and the ‘Republic of Good Hope’ among
its contents, I was taken aback to discover half-a-dozen stanzas which evoked
those A-level Friday mornings, and the silent enigma which came to accompany
them.
Herr Professor, Billy, and me
Billy is one of my husband’s students;
he is 10 years younger than I am.
He is slim, with dark hair;
Talks with his hands when he gets excited –
So different from the Afrikaner dead-weights.
History was the subject
And very boring too
(to me); so I would interject
biographical tidbits
from the literary point of view.
These contributions were not appreciated;
My husband waited
for my last word of irrelevancy,
Then proceeded as if I had not spoken.
But did I detect an interest
On Billy’s part ? He mentions Leonard Cohen.
Does he know only Suzanne ?
Or does he actually enjoy reading poetry ?
Have I found a poetry-lover in South Africa
When I’m leaving for Canada
In two month’s time ?
Should I show him my poems ? –
But what about the History lesson,
And those 10 years I’ve lived
that Billy hasn’t ?
Better be a coward –
Retreat at lesson time.
So now I dread, and look forward to,
Fridays. I read the newspaper
in my own room, and wonder
what Billy thinks about my stopping;
or if he thinks of it at all.
– from Sparling Mills, Woman, be Honest (Herring Cove Press, Nova Scotia, 1974)
– an earlier version of this piece was published in Bill Nasson, History Matters: Selected Writings, 1970-2016 (Penguin, 2016).